I've posted at length several times about my love for Graeme Norgate's Timesplitters soundtracks, they were supremely influential to a young Foxbat dipping his toes into both the world of electronic music and shooters. But a lot of that attention has been focused on Timesplitters 2 (which to be fair had the majority of my time back when). So today I thought I'd do a cross section of some good tunes from the other 2 games, the OG and Future Perfect. Get a load of those character models from 2000.
I thought I'd start with something a little unassuming first, the soundtrack to the built in mapmaker mode. I know I dole out a lot of criticism for generic productions and the like, but I have a real soft spot for menu themes and tracks like this. It's a little bit like ambient music, Norgate's sound engineering skills put to the test to make a tune that fills the silence but won't drive you out of your mind as you edit and re-edit variations of your map. Maybe it's the nostalgia talking, but I think I could slip a couple tunes like this into my cosy electronica category.
Something I especially like about the overall design of the Timesplitters soundtracks as a whole is how Norgate plays with the genres on display, fitting given he location and time-period hopping backdrop of the games. Compound is a one-off big beat come trip hop style tune with samples and some vinyl scratchin' dotted throughout. It's a one off composition that only appears in the multiplayer map of the same name, which sounds like a lot of effort on its own but this is just one of many tunes from the OST that are made for that exact purpose.
I like that tunes like the above are decidedly non-videogamey in how they feel. The same kind of applies to the final tune I have for you from the third instalment, Future Perfect. Here Norgate stretches his trance legs and takes us on a 7 minute ride. It'd be just as at home on the dance-floor as it is with deathmatches, and I've been often tempted to throw it into one of those mixtapes I put together semi-infrequently. The break at 4:15 is so deliciously in the style of old school trance euphoria and I adore it. Thanks for all the good times, Graeme.
-Claude Van Foxbat
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