Fell back into VA-11 HALL-A something fierce. Everything about it is supremely my aesthetic and it has a sublime OST to boot, how can you not love something that has the official website URL of 'waifubartending.com' ? The great irony of me falling in love with a game about Bartending while I WAS a bartender isn't lost on me, those were... interesting times to be me. The OST remains as solid as ever, I've posted a couple of the big hits from it in the past so instead here's a lesser known one. It still does a fantastic job of setting the mood, all the gorgeous elements that make the soundtrack are there, down to the melodic leitmotif that appears on multiple tracks trhroughout.
It's been a while since I mentioned Mitch Murder, responsible for a large portion of the retro electronic sound in my library (And showing me that the pedantic sub genres of electronic music know no bounds by having some of his releases labelled with 'Yuppiewave'). We're going back in his catalogue here to Selection One, a compilation series (of 5 currently!) of free songs he'd put out over the last year or two. One is from 2012 and is an excellent jumping in point if you're new to the scene; a quick rundown of his productions with some remixes on the end to boot. Mitch's work always hits differently with me, compared to say the Slasher themed high tempo Electro from Carpenter Brut, Mitch shifts around genres and moods regularly: sometimes bordering on full on Vaporwave, sometimes lush but surprisingly powerful slow jams like this:
And finally, an EP from DMX Krew that I narrowly avoided scooping in my last bandcamp haul. In addition to some of the old Rephlex material making it's way to digital platforms, Ed From DMX is also still fairly active and drops new releases on there too. Rest assured it's near the top of the list for picking up next time though, I've been listening to the opening track from Don't You Wanna Play? for a few weeks now but I have to ration it, because it's one of those tracks that I immediately start vising with from the intro alone. Of note, there's no tongue-in-cheek lyrics or self aware irony to the sounds on this one like there has been on other DMX releases I've talked about; it's just super sweet somewhat deep House through and through.
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