First is the 48MB monster that kicks off Goldie's D&B classic Timeless. Well, it's actually three tracks in one (Inner City Life, Pressure and Jah) but it is one of the best intros to an album I have. When it all kicks off around 2:40 you know you're in for a hell of a ride.
Follwing that we have the penultimate track from OPN's Rifts, this isn't gonna be for everyone and I'll admit this one does go a bit overboard with the whole layered arpeggios, in fact I sed to find it annoying. Then one day I it came up n shuffle and I had it quiet enough that the apeggios functioned as quasi-percussion and I kinda liked it. The track really shines in it's second half around ten minutes in, and the sounds towards the eventual climax are just fantastic. In summary: great title, rocky start, gets better as it goes on.
Ah, good old Moroder. E=MC² has a ton of synth work in it, as you'd expect from Giorgio. Being from 1979 and all, a lot f the vocal disco stuff hasn't aged well, but the end to this LP is something real special. A quarter of an hour instrumental that's chock full of guitars, synths and more. An early highlight is about 5 minutes in, where everything peaks and there's a complete change in sound, a guitar solo and even a little cowbell in the back.
And I'm afraid that's gonna have to be it, that's 107 MB of stuff and if I brought anymore to the party that would only get bigger.
How're You?
-Claude Van Foxbat
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